Showing posts with label Alexander Borodin. Show all posts
Showing posts with label Alexander Borodin. Show all posts

Saturday, March 28, 2015

Robert Shaw conducts Stravinsky and Borodin

★★★★✰
   The very first commercial album recorded digitally in the history of phonographic industry was The Firebird by Igor Stravinsky and Overture and Polovetsian Dances from Prince Igor by Alexander Borodin recorded by The Atlanta Symphony Orchestra and Chorus conducted by Robert Shaw. Recording session took part June 19 & 20, 1978 with Soundstream Digital Recording System for the Telarc label. Those times Atlanta Symphony Orchestra was a rising star of American music, one of most interesting young orchestras recording in seventies and eighties. This was the best time in history of Atlanta Symphony Orchestra working this under direction of Robert Shaw. 
   Although officially Atlanta Symphony Orchestra was founded in 1945, for more than two decades it was not known to wide public, while consequently building its condition under direction of its founder Henry Sopkin. In 1967 for the post of music director was engaged Robert Shaw. As a choirmaster he started his career in 1941, establishing in New York City the Collegiate Chorale. He was known for his significant role as the founder and a conductor of professional Robert Shaw Chorale. As he was preparing choirs for Arturo Toscanini he became almost instantly famous as the choirmaster. Arturo Toscanini recommended him saying: “In Robert Shaw I have at last found the maestro I have been looking for”. Robert Shaw Chorale was professional ensemble. With this chorale Robert Shaw was working in New York for almost two decades (1948-1965) and made great series of recordings for RCA, receiving Grammy for Bach’s Great Mass in B Minor (1962) and for Handel’s Messiah (1966).

Robert Shaw – Stravinsky – The Firebird (1978)


   Two years after famous choir was disbanded, in 1967 Robert Shaw took up the post of music director in Atlanta. In 1968 ASO became full-time, 52-week orchestra. Two years later director Shaw founded Atlanta Symphony Orchestra Chorus. In 1975 Atlanta Symphony Orchestra and Chorus made its debut with 2LP album Christmas with Robert Shaw. Consequent work on repertoire and extensive guest performances gave artists from Atlanta prominence and quality. In late seventies well informed listeners knew this orchestra is one of the best – especially for Shaw’s recording experience. This is probably the reason Robert Shaw recorded the first digital album in the USA. 
   The sound of the orchestra is perfect. Shaw’s interpretations were generally focused more on sound than on structures. This performance of The Firebird suite in 1919 version, recorded with enhanced trebles and basses, was so much different, this recording was quite a surprise for listeners knowing sound of earlier recordings of Igor Stravinsky’s suite. The new kind of sensitivity was probably even more readable for young people and Shaw’s recordings enjoyed a good reputation. Second side comprises two fragments from Prince Igor by Alexander Borodin. The sound here is more colorful than expressive, sound space is unbelievably wide and deep. The famous choir in Polovetsian Dances shows its power in clear beautiful recording. Four stars for pure musical qualities and a half star for historic position.

Tuesday, November 12, 2013

Alexander Borodin – Prince Igor

THE 180th ANNIVERSARY OF ALEXANDER BORODIN'S BIRTH

   The interesting lineament of 19th century music in Russia was the fact most composers were simultaneously physicians or lawyers. The reason of such situation was simple – only in wealthy families children have high quality education. And although in upper class artistic success was priced, there was a strong emphasis on skills that can provide social security. Medicine was one of most popular. Alexander Borodin (1833-1887) who was illegitimate son of Georgian nobleman was educated in best possible institutions. In those times it was typical he received his name from servant, but was taken care of his real father. And as many other composers first he has made his career in practical domain. He was military surgeon and scientis in the field of chemistry. Although he has been successful chemist, authoring some revealing reactions, he was famous only as the composer. He had sometimes complained of such one-sided appreciation.
   In absolute numbers list of Borodin’s musical works is not too much impressive. Some songs and piano compositions, few chamber forks, three symphonies and one symphonic poem In the Steppes of Central Asia. The opera works, he is most famous for, are in fact only four titles where first The Tzar’s Bride from 1868 was in sketches and lost, and next three were unfinished: second Bogatyri, third Prince Igor, and last Mlada co-authored with César Cui, Modest Mussorgsky, Nikolai Rimsky-Korsakov and Leon Minkus. But operas, even unfinished, became his greatest achievement into Russian musical heritage. Most famous is Prince Igor (Князь Игорь) in four acts with prologue. After composer’s death, opera was completed by Nikolai Rimsky-Korsakov and Alexander Glazunov and premiered in St. Petersburg in 1890.

Alexander Borodin – Prince Igor (1970)

   Opera story of 12th century prince Igor Svyatoslavich who survives Polovtsian bondage and save his homeland was based on Old Russian epic poem The Tale of Igor’s Campaign. Legends on beginnings of nations were the heart of romantic ideas and main current of romantic narratives. Thus grand historic opera Prince Igor become one of pillars in Russian romantic repertoire. 80 years after first performance full version of Borodin’s work was recorded and published by Melodia as complete of five LP records in cassette. Long list of great voices comprises Ivan Petrov in the role of title hero Prince Igor, Alexander Vedernikov as Khan Kontchak, tenor Vladimir Atlantov as Prince Igor's son, Tatiana Tougarinova in the role of Igor's wife Iaroslavna, Elena Obraztova as the daughter of Khan Kontchak. Choir and Orchestra of Bolshoi Theatre in Moscow conducted by Mark Ermler are elements of perfect ensemble. Well executed, perfectly sung, consequently set, after almost half century this recording is still considerable worthy esthetic and intellectual experience. Four stars for great musical contents.